(I mean by this he who 'continues to think,' or, as is generally said, to draw the consequences) cannot avoid this inquiry, nor does he ever avoid it, in whatever manner he conceive his new inquiry. This he cannot even do, when he tries, by declaring that the end or 'ultimate cause' is unknowable, because (as elsewhere remarked) an unknowable affirmed is an unknowable in some way known. Naturalism is[Pg 68] always crowned with a philosophy of history, whatever its mode of formulation: whether it explain the universe as composed of atoms that strike one another and produce history by means of their various shocks and gyrations, to which they can also put an end by returning to their primitive state of dispersion, whether the hidden God be termed Matter or the Unconscious or something else, or whether, finally,

He be conceived as an Intelligence which avails itself of the chain of causes in order to actualize His counsels. And every philosopher of history is on the other hand a naturalist, because he is a dualist and conceives a God and a world, an idea and a fact in addition to or beneath the Idea, a kingdom of ends and a kingdom or sub-kingdom of causes, a celestial city and one that is more or less diabolical or terrene. Take any deterministic historical work and you will find or discover in it, explicit or understood, transcendency (in Taine, for example, it goes by the name of 'race' or of 'siècle,' which are true and proper deities); take any work of 'philosophy of history' and dualism and naturalism will be found there (in Hegel, for example, when he admits rebellious and impotent facts which resist or are unworthy the dominion of the idea). And we shall see more and more clearly how from the entrails of naturalism comes inevitably forth the 'philosophy of history　The short stories were first collected in a little volume in 1879..'
II

But the 'philosophy of history' is just as contradictory as the deterministic conception from which it arises and to which it is opposed. Having both accepted and superseded the method of linking brute facts together, it no longer finds facts to link (for these have[Pg 69] already been linked together, as well as might be, by means of the category of cause), but brute facts, on which it must confer rather a 'meaning' than a linking, representing them as aspects of a transcendental process, a theophany. Now those facts, in so far as they are brute facts, are mute, and the transcendency of the process requires an organ, not that of thought that thinks or produces facts, but an extra-logical organ, in order to be conceived and represented (such, for example, as thought which proceeds abstractly a priori, in the manner of Fichte), and this is not to be found in the spirit, save as a negative moment, as the void of effective logical thought. The void of logical thought is immediately filled with praxis, or what is called sentiment, which then appears as poetry, by theoretical refraction. There is an evident poetical character running through all 'philosophies of history.' Those of antiquity represented historical events as strife between the gods of certain peoples or of certain races or protectors of certain individuals, or between the god of light and truth and the powers of darkness and lies.

They thus expressed the aspirations of peoples, groups, or individuals toward hegemony, or of man toward goodness and truth. The most modern of modern forms is that inspired by various national and ethical feelings (the Italian, the Germanic, the Slav, etc.), or which represents the course of history as leading to the kingdom of liberty, or as the passage from the Eden of primitive communism, through the Middle Ages of slavery, servitude, and wages, toward the restoration of communism, which shall no longer be unconscious but conscious, no longer Edenic but human. In poetry, facts are no longer facts but words, not reality but images, and so there would be no occasion to censure them, if it remained pure poetry.[Pg 70] But it does not so remain, because those images and words are placed there as ideas and facts—that is to say, as myths: progress, liberty, economy, technique, science are myths, in so far as they are looked upon as agents external to the facts. They are myths no less than God and the Devil, Mars and Venus, Jove and Baal, or any other cruder forms of divinity. And this is the reason why the deterministic conception, after it has produced the 'philosophy of history,' which opposes it, is obliged to oppose its own daughter in its turn, and to appeal from the realm of ends to that of causal connexions, from imagination to observation, from myths to facts.