Spaniard's books there is waged, on both a large scale and a small, the ceaseless, implacable struggle of the new against the old. This eternal battle early formed an appreciable part of even the writer's short fiction. His old seamen look with scorn upon the steam-vessels that replace their beloved barks; his vintners regret the passing of the good old days when sherry sold high and had not yet been ousted from the market by cheap, new-fangled concoctions; his toilers begin to rebel against ecclesiastical authority; some of his heroes are even capable of falling in love with Jewesses or with women below their station (Luna Benamor, Los Muertos Mandan); everywhere is the fermentation of transition. His protagonists,—red-blooded, vigorous, determined,—usually fail at the end, but if there are victories that spell failure, so are there failures that spell victory. It is the clash of these ancient and modern forces that strikes the spark which ignites the author's passion. He is with the new and of it, yet rises above blind partisanship. His dominant figures, chiefly men, are representative of the Spain of to-morrow; not that ma?ana which has so long (and often unjustly) been a standing reproach to Iberian procrastination, but a to-morrow of rebirth, of rededication to lofty ideals and glowing realities.

In Sangre y Arena (Blood and Sand, written in 1908) Blasco Ibá?ez attacks the Spanish national sport. With characteristic thoroughness, approaching his subject from the psychological, the historical, the national, the humane, the dramatic and narrative standpoint, he evolves another of his notable documents, worthy of a place among the great tracts of literary history The Prince wasvery much alarmedwhen he perceived that Selbstwas growing sorapidly..

His process, like his plot, is simple; whether attacking the Church or the evils of drink, or the bloodlust of the[Pg viii] bull ring, his methods are usually the same. He provides a protagonist who shall serve as the vehicle or symbol of his ideas, surrounding him with minor personages intended to serve as a foil or as a prop. He fills in the background with all the wealth of descriptive and coloring powers at his command—and these powers are as highly developed in Ibá?ez, I believe, as in any living writer. The beauty of Blasco Ibá?ez's descriptions—a beauty by no means confined to the pictures he summons to the mind—is that, at their best, they rise to interpretation. He not only brings before the eye a vivid image, but communicates to the spirit an intellectual reaction. Here he is the master who penetrates beyond the exterior into the inner significance; the reader is carried into the swirl of the action itself, for the magic of the author's pen imparts a sense of palpitant actuality; you are yourself a soldier at the Marne, you fairly drown with Ulises in his beloved Mediterranean, you defend the besieged city of Saguntum, you pant with the swordsman in the bloody arena. This gift of imparting actuality to his scenes is but another evidence of the Spaniard's dynamic personality; he lives his actions so thoroughly that we live them with him; his gift of second sight gives us to see beyond amphitheatres of blood and sand into national character, beyond a village struggle into the vexed problem of land, labor and property. Against this type of background develops the characteristic Ibá?ez plot, by no means lacking intimate interest, yet beginning somewhat slowly and gathering the irresistible momentum of a powerful body.
 

Housework in the rooms was likewise done by strict rule; according to our turns we had to be on duty twice a day, seeing to the stoves, carrying the unsavoury wooden tubs in and out at night and in the morning, and so on. Our rooms were kept scrupulously clean and neat, and every fortnight there was a tremendous thorough cleaning; the boards were scrubbed with hot water, beds aired, tables and benches washed in the yard. We were very particular about proper ventilation, and observed all hygienic precautions most carefully; each man used the steam-bath once a week, and each washed his own clothes—not one of our easiest jobs.
fresh from the universities, or at any rate had hitherto had little practical acquaintance with domestic labour, and taking into account external circumstances generally and the scanty supply of materials, I think we might fairly pride ourselves on the practical and efficient organisation of our household affairs. Of course our system was liable to modification in details if necessary, but the principles on which it was based were fixed and unchangeable.

That our life must have had much in it irksome in the extreme and hard to bear is only too evident; living in such constant and close intimacy for years with the same set of people must necessarily lead to all kinds of petty rubs and differences; all the more because the forced inactivity was such a strain to the nerves of many. These were evils not in our power entirely to avert Once again the red priest left his rude rostrum..

229In the middle of each room hung a lamp with a dark shade—lamps that we had ourselves provided. Our table was narrow and long, so that a number of persons necessarily sat where the light was very poor, insufficient for work of any kind; and this, of course, was a misfortune for everyone, as those condemned to idleness disturbed the more advantageously placed who wanted to study. Even had there not been this drawback, serious concentration of mind would have been difficult in a small room wherein were congregated sixteen men of very different temperaments and inclinations. The needful quiet could rarely be obtained, for it would have been impossible to enforce silence during the long winter evenings; on the contrary, when one sat down to work at night tongues were loosened, and there began a constant hubbub of chatter and laughter. Anyone who was really bent on earnest study had to devise a special plan: he became what we called a “Sirius.”

This meant that as soon as it became dusk he went to bed till midnight, and then, while the rest were asleep, got up and worked till dawn, when Sirius rises above the horizon; after which he lay down for another two hours’ rest. It needed an overwhelming desire for learning and considerable powers of endurance to become a “Sirius”; it was difficult to rest when the comrades were chattering and making a noise all around one, and when one had at last managed to get off to sleep, it seemed immediately time to wake up again. The dividing of the night’s rest is not an easy thing to stand; in spite of my efforts I could never accustom myself to it; yet there were some among us—though not many—who were numbered among the “Siriuses” all the time I was at Kara. Yatzèvitch, and two others of whom I shall have more to say, Kalyushny and Adrian Mihailov, kept to this mode of life during that whole period.
 

Then little Christobal, listening with wide-open eyes, started. He had heard a noise at the far end of the court. Could there be horses in that deserted bodega. It sounded just like hoofs stamping on a plank flooring. .

Dick had vanished, and Christobal, running toward the farm buildings, slipped through a half-open door. Yes, there was something there... llamas... three llamas,.. but thin, miserable creatures, worn out by the heavy loads of years, and incapable of carrying even a child. But llamas do not neigh. The boy slipped round the corner of the building, and stopped short in the shadow. Sitting motionless a few yards away was a horseman, watching the house. At his stirrup, attentively immobile as the horseman, was a llama—one of those light, fine-limRed, long-necked beasts which carry a man’s belongings and follow him like a dog.

As Christobal caught sight of them, the horse shied. The rider reined it in, and swore, but his oath was cut short by a shot. A shadow had risen in the night, only a few feet away, and had fired; the rider rolled from his saddle, while the shadow, seizing the horse’s bridle, swung itself into his place. Little Christobal ran toward it.

“Tell your father I’ve bagged one of them,” shouted Dick, turning his mount and riding for the sierra　Once again the red priest left his rude rostrum..

The child, without answering, ran after the llama, which in its turn was following the horse. His little fingers caught in its wool, he checked it with the words one uses to llamas, scrambled up and dashed after Dick. Uncle Francis, on the roadway, was passed by two black streaks, and left alone there, speechless.

Meanwhile, in the room on the first floor, Libertad was making his confession. Natavitad had realized, and had made the Marquis realize, the great value to them which this might have. Nor, to tell the truth, did he forget the value of the Marquis as a witness to this confession, which he regarded in the light of a valuable piece of fresh evidence in his case against the Indians generally. For this twofold reason, Natividad was merciless, and forced the negro to speak till his last breath.

 

Jeromín let himself be waited on without showing any diffidence or surprise, as if all his life he had been used to such attentions. But when he saw Ana de Medina remaining by the fire and helping to pass the plates, without daring to come to the table, he said, without looking at anyone, in a tone which might be a question, or a request or an order, "Isn't she going to have any supper?" This made the widow burst again into sobs and lamentations, and the boy bit his lips to restrain the tears which filled his eyes. We cannot be certain whether Jeromín slept that night or not, but it is certain that no one had to rouse him the next morning, and the first light of dawn found him already awake, dressed in his best clothes, with his fair hair covered by the picturesque "monterilla." He twice kissed Ana de Medina at the door, and then turned back and kissed her a third and fourth time. But he did not shed a tear or say a word, nor did his face change, though it was paler than usual.

The whole village was at the door, the children in the front row, Christians and Moors all mixed up, filled with awe and envy at seeing him in the seat of honour in the little house on wheels which had frightened them so much the day before　The EndAs to active service in the French Army..

Then Jeromín asked the widow for his crossbow, so she brought the roughly made plaything with which he had acquired such wonderful dexterity, and he gave it to his enemy of the battles, Pedro Verde, saying shortly, "Keep it."

All the neighbours accompanied the coach to the outskirts of the village, and the children much farther, also Ana de Medina, crying out and begging that they would not take away her Jeromín, but would give her back her son.

He did not stir inside the coach, or put out his head, but remained so quiet with his eyes shut that the Fleming began to think he was asleep. But at the last turn, passing the orchard of Maricuernos, at the place where the Hermitage de los Angeles was afterwards erected, Jeromín's little hand could be seen out of the window, making last signs to his playfellows and to the humble woman who had brought him up.

Jeromín went from one surprise to another, seeing pass, for the first time before his eyes, lands and mountains, villages, castles, and people who were not like those of Leganés or anything he had imagined. Charles Prevost answered his doubts and questions with real and kindly anxiety to enlighten him, now explaining curious things, now making instructive remarks which opened new and wide horizons before the boy's virgin mind. But in spite of the Fleming's kindness, which sometimes seemed natural and at other times only courtly manners which had become a second nature, the child's innate sharpness showed him that Prevost always hid him from the gaze of the people; that he never explained in inns and on the road who the boy was, or where he was taking him, which Jeromín himself did not in the least know either. This restrained the natural open character of the boy and armed him with a certain reserve, which without being sulky was a want of confidence, the offspring, no doubt, of offended dignity.

one May morning, between the 12th and 14th, at midday. Not to attract attention to his conveyance, Charles Prevost got out and entered by the small gate of Balboa and went on foot holding Jeromín by the hand.
 

Zacchary thought hard as he followed his young charges into the town. Something was amiss. He realised, looking back, that something had been amiss, all the way down from London. But in the meantime, he had his orders.

With Simone at her side, looking neither to the right nor to the left where passers-by were concerned, Marion went over the town on a search which greatly excited Simones curiosity. She saw that in one shop her mistress bought a hank of the finest grey embroidery silk. Before another shop she paused, bidding Simone wait with Zacchary. Simone looked curiously at the sign, which showed that a gunsmith and armourer carried on his trade there. Marion came out empty-handed. The end of her search was evidently not yet.
Mistress, said Zacchary, his eye on the sun, as she joined the waiting pair.A fleeting look of horror passed over Marions face, and she turned aside from old Zaccharys vision. At that moment a man lounged by, his gait marked by the obvious roll of the sailor. Marion glanced idly at him. Then she swung round and looked again, a puzzled expression in her eyes. What was there familiar about that face and figure　they laughed heartily at the recollection.?

Zaccharys eyes were also on the retreating sailor. He noted his mistresss glance, but said nothing. Like herself, he was musing on the vague likeness to some one he knew very well. Marion and Simone walked on, followed by Zacchary. Suddenly the old man stopped in his walk, and turning, looked at the feet of the man just making the corner of the street. His old eyes gleamed.The haberdashers shop was at the extreme end of the street down which, Marion had noted, the sailor had gone. Making a detour, she entered the street from another direction, timing her arrival at the door so that the clumsy figure rolled by just after she had bidden Simone enter the shop. Zacchary stood a few paces away, chewing a straw, his eyes in the opposite direction. Marion followed the sailor a couple of yards.

Jack!The man stopped and turned, a smile lighting up his features as he recognised the speaker. Marion looked affectionately up into the face of the sailor-boy of her childhoods days. The rough beard he had assumed for a disguise changed him greatly. But the merry eyes were the same. Marion went straight to the point.