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ANN Exclusive: 1-on-1 with HYDE

You may know him from Fullmetal Alchemist or Blood+ or NANA or Otakon's spectacular L'Arc~en~Ciel concert, but you definitely know him. HYDE is one of the biggest rock names in all of Asia, an accomplished solo artist and the front man for a band that has moved over 34 million recordings in the last decade. The accolades go on and on: a multiyear streak of top-ranked releases in Japan, a Baltimore concert that attracted more J-Rock fans than any previous event in America, and an ongoing tour that sold out within minutes in both countries.

HYDE rarely holds private interviews; when L'Arc~en~Ciel performed at Otakon in 2004, not a single request was granted. But this time, he made an exception. Below is a transcript of my exclusive 20-minute chat with Japan's biggest rock star.

Thank you for taking the time. I understand you recorded the FAITH album an hour away in Los Angeles. Why?
I¡¦ve been a part of L¡¦Arc~en~Ciel for 15 years, as you know, and we have never recorded overseas; it¡¦s always been in Japan. I listen to British and American music a lot, and it¡¦s always been very hard to get that exact sound while in Japan. So I wanted to come here to do the recording so I could be closer to the sound that I like. Since I am working solo, it¡¦s more flexible to do whatever I want.

Who in particular do you listen to in the US and UK?
Depeche Mode,
Mission UK, and things like Korn.

Okay. Let's talk about the big differences between FAITH and your 666 album.
666 is something I made while I was envisioning doing live performances. I was in charge of doing the guitar and the vocals, so it was more punkish and rough. FAITH was made with guitars and helped to be produced by Kaz. There¡¦s more of a guitar sound because he got involved.

Kaz also wrote some of the songs this time, right? What impact did that have?
Kaz and I have similar tastes; all the tracks he makes are very likable. Everything he¡¦s made, there¡¦s nothing wrong with his songs. For L¡¦Arc~en~ciel, for anything we recorded there were a lot of people giving opinions. It was hard to like the songs from the very beginning. Whereas with Kaz I liked everything right from the beginning he made for Faith. It¡¦s a lot smoother, then, because I¡¦m a solo artist and I can do whatever I want. With Kaz I have a goal and working with Kaz I can reach that goal.

One of your songs, Jesus Christ, is about contradictions of faith. How do you find those contradictions, and how do you reconcile them?
Let's see...In Japan while I¡¦m on tour, there¡¦s usually a Jesus Christ banner in the back of the set. While writing the Jesus Christ song, I had imagined this banner before this whole tour even started. So while writing this song, I brought up a lot of the questions I had in my mind. Obviously, I don¡¦t know the right answer or anything, but that¡¦s how I arrived at those contradictions. These are questions that I had. So many bad things are happening in the world right now that I wanted to point them out and write it down on paper.

Can you be more specific? Which question of faith do you struggle with the most?
Hmm...[long pause]...In Japan on New Year¡¦s there¡¦s a ritual called Hatsunode, where people visit the shrine and make their wish for the year. I always wish for world peace. One of the big questions is why it doesn¡¦t come true.

You've said writing lyrics opens you to things you hadn't seen before. I think the Jesus Christ song reflects that insight. What other things did you see for the first time while writing?
In everyday life, I don¡¦t think deeply about things. But when I¡¦m writing songs, I write songs about the questions that I have. While I write those songs, I get deeper and deeper. Actually, what I noticed was that in everyday life there are a lot of little things that are happy, but while writing, I realized I¡¦ve passed the peak where I was happiest. Every day, I didn¡¦t realize it, but I looked back at my lyrics I had written and realized I had passed that peak.

Why is that?
The reason is that I thought I could die at that moment. If you can think that, it means you¡¦ve already reached that level of happiness.

You've also said you want to use concert venues in different or unusual ways. Can you elaborate?
Usually, for example, you would use a venue horizontally. But maybe you can use it diagonally. There are a lot of different things you can do with it, but I can¡¦t really talk about it because the performances aren¡¦t done yet and the tour doesn¡¦t start until September. But I want to make sure that everyone at the venue can see me as closely as possible. If you use the stage differently, every person will be able to see me closer. But I don¡¦t want to talk about it too much. Not yet.

On FAITH you have a deep sound, heavier than you¡¦ve done before. Countdown is probably the best example. Are you moving in that direction?
I actually wanted it to be heavier. When I noticed I had a lot of slow songs and not heavy ones, I wanted to include more. I wanted to make an album that was even heavier.

What is the biggest thing you¡¦ve learned since your solo debut?
When I was working with L¡¦Arc~en~Ciel, there were four different people all with their own specialties and goal in the band. Whereas when I¡¦m solo, I have to do everything on my own. By doing this solo, for example, when I¡¦m recording the sound for the guitars, I would not normally do that for L¡¦Arc~en~Ciel. While I¡¦m doing this solo project, I started to realize how each person in L¡¦Arc~en~Ciel feel about what they¡¦re doing. So I¡¦m getting the aspects of the other people. By doing this solo project, I feel that I¡¦ve grown musically.

Would you like to share a funny moment from recording or performing on stage?
You said recording or a concert, but the thing about recording is that it¡¦s very stoic and very tough and there aren¡¦t many episodes I can think of. But live performances are so much fun. Every day there¡¦s a memory that will last forever, but there¡¦s so many of those that it¡¦s not that special anymore. If I were to name one...once I went to a venue in Nara on a jinuksha [rickshaw], one of those Japanense carts where someone pulls you along.

Before you go, would you mind recording a quick message for your fans?
Sure. I¡¦ve grown up listening to American music and I¡¦m very happy to have a CD release here and actually be able to do concerts. That¡¦s one of the big memories that I¡¦ll think about forever. I hope to be able to come back for more and more. Thank you for your support.

 



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HYDE: CAN ONE OF JAPAN'S BIGGEST ROCK ACTS BREAK BIG IN THE US?

Based on its San Francisco debut at the Fillmore Thursday the Japanese band HYDE may be hard rock's answer to baseball's Ichiro Suzuki and Hideki Matsui.

That is, superstars in an American game who are considered the equals of their American peers, and whose country of origin is secondary to their abilities to entertain.

With a 90-minute set of original, dark and glistening hard rock, metal, and a couple of ballads, this tight quintet's sold out local debut was mesmerizing and primal, with more than a few similarities to David Bowie's U.S. debut decades back.

And, while so many Japanese musical exports are treated as novelties and aberrations, representatives of a culture at once foreign, intriguing and endlessly confusing, HYDE made a huge step toward breaking down barriers by singing all of his songs in English.

(HYDE, pronounced haido, is both the name of the band, and the lead singer.)

  

It took a long time for Japanese stars to break into baseball's major leagues, and it's taken evenCimg0122 longer for itsmusical stars to break through to the point where they are as big in the U.S. as American rockers are in Japan.

The band Mono has grown a small but ardent U.S. following, but because that trio plays only instrumentals, it is never going to make the big time because on the pop charts, lyrics are as important as tunes.

HYDE's lyrics were part of what drew almost 1,000 fans to the Fillmore from all over the U.S., and to three other sold-out shows in California, at the House of Blues in Anaheim and Los Angeles, and Slim's in San Francisco.

(PHOTO: fans outside the Fillmore)

His just-released album, "Faith" (Tofu Records),  featuring playing by Nine Inch Nails bassist Danny Lohner and the Cult's drummer, Scott Garrett, takes on religious themes, not the least of which is the cover drawing, featuring the singer in a crown of thorns, posed as Jesus.

But don't think this is in anyway a Christian album. The lyrics are character studies from a man who describes himself as interested and respectful of religious imagery, but not religious.

In "Jesus Christ," which opened the Fillmore show, HYDE sings from the point of view of a parent watching his child suffer, and begs God to take his life instead. It's the painful stuff of much U.S. modern metal, with a more thoughtful spin.

"I'm not religious, but I like the designs and concepts and thoughts of religion," said the singer, born Hideto Takarai. He won't reveal his age, and he has an androgynous, ageless look that brings to mind Michael Jackson,  but fan websites list him as 37.

His surprising voice, coming from a thin figure who barely scrapes 5 feet, mines the rich low tones of David Bowie, with the urgency of the Ziggy Stardust days.

His only cover song in the fast-paced set, was a tortured "Lucy in the Sky with Diamonds," the 1967 Beatles song, even more surprising because in the preshow interview, HYDE claimed not to know much "old music."

He sings in English, he said through a translator in the Fillmore's poster room, because that is the language of the rock he grew up on. The first disc he bought, when he was 14, was Billy Joel's "The Stranger," and his love of rock continued with Jim Morrison, Kurt Cobain, Linkin Park and Journey.

He started playing guitar at 17 and was in several bands, the third of which, L'Arc-en-Ciel, sold 34 million records over the last 10 years and played Japan's biggest arenas. He went solo in 2001, he says, to try out ideas without having to get the approval of the rest of the band.

He's had two number one hits, including "Countdown," which was dubbed onto the Japanese version of the American movie, "Stealth."  He's also appeared in films, the 2004 science fiction thriller, "Moon Child" and the 2006 drama, "The Last Quarter."

Tickets to the four U.S. debut shows sold out in minutes and fans, many of whom were women in their teens and 20s, who slept on the street overnight at the Fillmore to get a good vantage point in the general admission hall.

They included 25-year-old USC medical school student Qudug Wu, who said she was at the front of the line because she loved the singer's lyrics, not his looks.

"I'm not a fan-girl," she emphasized. "I could have spent my vacation doing research or relaxing, but I stayed out overnight to see his passion."

Born in China, and studying in the U.S. for the past four years, she said she was attracted to the spiritual premises of his songs. She didn't know what he was saying, at first, but was stirred by his delivery. When she looked up the lyrics, she found that they matched the images he had inspired in her head.

"I feel sad when I see so many women in line," she said. "It's not about sex; it's spiritual. He's so good looking, but it's not about his looks."

Laura Harvey, 22, flew from Illinois for the show. A fan of Japanese anime shows, she got into the music after seeing HYDE's movies.

"A lot of Americans have no idea that there are a lot of talented rock and pop and heavy metal musicians in Japan," she said.

Vallejo musicians Zachary David Harris, 23 and Joshua Theo Wooley, 25, found HYDE on the Internet, where they regularly searched Japanese music and horror film sites for inspiration for their band, Folklord.

"We both like adventurous music," said Harris. "I like metal, and Frank Zappa, and anything different. I usually go to concerts by famous or quasi famous bands. It's good to see a band that has no say here, that hardly anyone knows. This is America."

Wooley had been a HYDE fan for three years after hearing a song on the web, and was shocked to see that the exotic Japanese performer was playing in his backyard.

"I saw it on the Fillmore schedule and I thought it couldn't be the same HYDE, but it was. I couldn't believe I was going to get to see him."

 

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