Miuling,很OK者也。
Art is a lie that makes us realize the truth.
2012 年 5 月 17 日  星期四   雨天


所謂近況 分類: 生活雜談

秋秋說,日記有兩種,一種寫給自己看,一種寫給別人看。我既想寫給自己看也寫給別人看,所以,終於,我要寫考試後第一篇日誌了。

的確,從那時起,我基本上保持徘徊於某個地方,生活的稜角似乎隨日子漸漸磨掉了。不寫東西,更加意會不到自己在做什麼-理性的「知道」儘管還是有吧。4月20號考完最後一科文學,並沒有預期的狂喜。相對平靜、無聊地過了三數天。一個電話打來,忽然就被介紹去某間小學返暑期工了。於是我在幾乎無聲無息的大半個月來,已大病過一場、做那小學的掛名「老師」(較貼切的形容是雜工),同期進行,天昏地暗。

開始時,對著那班新世代小三學生,我只想問自己唸小三時也是這樣的嗎?如果是我感到無比悔疚,會恨不得對從前教過我的老師逐一道歉和道謝。這間學校的行政、辦學理念……種種,似乎也有問題,那唯一的問題便在於那根本的「可疑氣味」;一些八、九歲的細路,成績「欠佳」,因而被學校安排上「全港系統評估」特訓班,本來上視藝、音樂、體育、電腦、普通話科的課堂,統統變成中英數補習班。與此同時,受聘的「老師」並不專做補習工作,學校雜務同時包括在工作範圍之內(入職前未曾提及)。如是,不論是這些小朋友,還是臨危受命、充當補習名師的miss仔(也即是我和美萍二人),也絕對身處於惡劣環境呀。

而我也終於想開了,在什麼地方打暑期工都無所謂。有很多事我們都不能視為理所當然。大家都安慰我,這是一趟磨練(若非磨煉)的旅程,我想這真的也是老實話。放榜前後的日子,大概也只能這樣苦中作樂吧。

像這樣一面追溯回憶一面寫文章,總令人不安。寫來三數句,就當和自己、別人交代一下近況吧!

 



2012 年 3 月 14 日  星期三   陰天


途經a-level 分類: 生活雜談

只想安靜地完成高考,來去如風,然後重新享受生活。

比起那些「日爆十二小時」的同屆考生,也許A-level給我的困擾始終不大。幾個月來,我還是羽毛球照打,中樂照玩,雖然次數都有明顯的減少。想到四月尾考完最後一科文學後,姊妹將要和我補祝生日,我會有很多時間心思練波,而且也可以回到宏光,與大夥兒排練五十週年音樂會,重玩《龍騰虎躍》,終於有平靜的心情寫好醫生一早的約稿,諸如此類,人就會像在瓦礫灰塵埋�塈搢陌萼_來,重見光明般,感動不已。

關於高考,再沒有想太多了。升不到大學,是不用死的,而且即使成功升呢成為大學生,不見得就有什麼真正值得慶賀。社會上光怪陸離的種種現象還是如此,民眾活得如何得意,彷彿還是被玩弄的蟻民,對「真正」的「真相」,還是不得而知。

無奈!全英錦標賽在前幾日完結了,陶陶始終不敵林丹,好可惜,但我對他的仰慕,將不會止息的;因為他才是羽毛球場上真正的舞者,表演a game "played", 而非a game "won"或"lost"。另一方面,樸實無華的李宗偉,在決賽因傷棄權了,冠軍還是讓了林丹。昨日上中化堂,聽C. Lai講11年閱讀理解pastpaper,讀到第一篇佚名文章講容忍,竟舉了魯迅為例,稱讚他氣度寬宏,曾容忍過很多傷害他的人,但對些落水狗則抨擊不遺餘力云云,我頓時心中大嘆荒謬;那些年的魯梁筆戰,到了這個年代,雖已有愈來愈多人為秋秋平反,可是事實是魯迅依然被尊為中國文學界的神。

隨意打幾句,當是證明我尚未人間蒸發吧。



2012 年 3 月 13 日  星期二   陰天


亂我心者 分類: 參考資料

〈Talking about Our Troubles〉
Mark Rutherford

     We may talk about our troubles to those persons who can give us direct help, but even in this case we ought as much as possible to come to a provisional conclusion before consultation; to be perfectly clear to ourselves within our own limits. Some people have a foolish trick of applying for aid before they have done anything whatever to aid themselves, and in fact try to talk themselves into perspicuity. The only way in which they can think is by talking, and their speech consequently is not the expression of opinion already and carefully formed, but the manufacture of it.

     We may also tell our troubles to those who are suffering if we can lessen their own. It may be a very great relief to them to know that others have passed through trials equal to theirs and have survived. There are obscure, nervous diseases, hypochondriac fancies, almost uncontrollable impulses, which terrify by their apparent singularity. If we could believe that they are common, the worst of the fear would vanish.

     But, as a rule, we should be very careful for our own sake not to speak much about what distresses us. Expression is apt to carry with its exaggeration, and this exaggereated form becomes henceforth that under which we represent our miseries to ourselves, so that they are thereby increased. By reserve, on the other hand, they are diminished, for we attach less importance to that which it was not worth while to mention. Secrecy, in fact, may be our salvation.

     It is injurious to be always treated as if something were the matter with us. It is health-giving to be dealt with as if we were healthy, and the man who imagines his wits are failing becomes stronger and sounder by being entrusted with a difficult problem than by all the assurances of a doctor.

     They are poor creatures who are always craving for pity. If we are sick, let us prefer conversation upon any subject rather than upon ourselves. Let it turn on matters that lie outside the dark chamber, upon the last new discovery, or the last new idea. So shall we seem still to be linked to the living world. By perpetually asking for sympathy and end is put to real friendship. The friend is afraid to intrude anything which has no direct reference to the patient's condition lest it should be thought irrelevant. No love even can long endure without complaint, silent it may be, against an invalid who is entirely self-centred; and what an agony it is to know that we are tended simply as a duty by those who are nearest to us, and that they will really be relieved when we have departed! From this torture we may be saved if we early apprentice orselves to the art of self-suppression and sternly apply the gag to eloquence upon our own woes. Nobody who really cares for us will mind waiting on us even to the long-delayed last hour if we endure in fortitude.

     There is no harm in confronting our disorders or misfortunes. On the contrary, the attempt is wholesome. Much of what we dread is really due to indistinctness of outline. If we have the courage to say to ourselves, What is this thing, then? let the worst come to the worst, and what then? we shall frequently find that after all it is not so terrible. What we have to do is to subdue tremulous, nervous, insane fright. Fright is often prior ti an object; that is to say, the fright comes first and something is invented or discovered to account for it. There are certain states of body and mind which are productive of objectless fright, and the most ridiculous thing in the world is able to provoke it to activity. It is perhaps not too much to say that any calamity the moment it is apprehended by the reason alone loses nearly all its power to disturb and unfix us  The conclusions which are so alarming are not those of the reason, but, to use Spinoza's words, of the "affects".

 

 



2012 年 2 月 22 日  星期三   雨天


知音難遇,作者腐心 分類: 參考資料

  ……昔朱子據《箕子》《荊軻》諸篇,謂淵明非沖澹人。瀏陽譯壯飛復廣其說。余意淵明非沖淡人而多學,故其聲歌能以沖淡出之。太白非沖淡人而多才,故其聲歌能以慷慨出之。子美非沖淡人而多感,故其聲歌能以沉鬱出之。非沖淡也同,其用力也異。故其表見於外者因以分焉。千古高人,迴翔一世,而不得用,則出於聲歌,以寫其所懷,故能卓然自立,不相雷同,非可以強致。此後代詩人所以愈多而愈偽也。

  ……又曰:「以目入心,以手出心,專寫胸中靈和之氣。不傍一人,不依一法,發揮天真,降伏外道,皆在於是。」「以目」八字,極藝術之能事矣。元好問《論詩絕句》「眼處心生句自神」七字,即此義也。東坡《與謝民師書》,論「辭達」之理曰:「夫言止於達意,疑若不文,是大不然。求物之妙,如繋風捕影,能使是物了然於人者,蓋千萬人而不一遇也,而況能使了然於口與手者乎?是之謂辭達。辭至於能達,則文不可勝用矣。」古今作者夥矣。此境要非易到,然不可與淺人道也。

  柳七《雨霖鈴》:「今宵酒醒何處,楊柳岸、曉風殘月」,千古推為名句,而讀者或指為梢公腹泄之詞,可發大噱。古今名作,被辱於此輩讀者之手者何限。此知音之所以難遇,而作者之所以腐心也。

-節自劉永濟論文拾遺《舊詩話》

 

 



2012 年 1 月 31 日  星期二   晴天


半年了 分類: 自言自語

自小學打過兩年羽毛球,至升中後因種種原因遺下了它,到去年暑假重拾球拍,重新學球,轉眼又半年了。

猶記得以前對羽毛球一見鍾情的狂熱:同學仔的紀念冊中,我常在「夢想」一欄上填上「代表香港打零八年奧運!」(距寫的時間只有三四年)恰巧老友周嘉儀和杜穎淇(拿,我還記得大家的名字,都清清楚楚)對乒乓球有如我對羽毛球般的著迷,故像這樣的豪情壯語,在當時的我們看來,全不可笑;可幸是,到此時我再回想當年的童稚,並不面紅,更由衷欣賞以前的自己:那是真真正正的passion。

以前在球場上值得記的細節尚有很多。Passion,是有笑有淚、有血有汗的,決非單純好玩的娛樂。小學教練送的鵝蛋型Gosen超輕球拍,是我第一份從他手上得到的禮物,我既感受寵若驚,也十分珍視這塊球拍,須知它價值不菲,而且意義重大。然而沒有多久,我便把那球拍拍邊的漆刮得花碌碌了,校隊練習時,教練偶然拿起來「觀察」,更哭笑不得地教訓了我一頓。我很後悔,後悔自己未能好好疼惜它;但誰又料到它之所以甩漆甩成咁,也是因為我常跑到樓下公園練習、而個子不夠高,執拍揮拍時,便常不小心刮到公園那些凹凸不平的石屎地啊!又有次,教練讓我和阮永禧(當時校隊的男隊員)打場七分的小比賽,為表公平,讓我兩分,但我最後還是輸了。輸了我並未曾很難過,甚至有點覺得理所當然:女仔打男仔,點夠打呢!可是教練事後卻認真地訓話我一番,面上神情盡是失望,很記得他對我說:「明白未?現在罰你出操場跑八個圈,想以後進步更快的,就跑十個,跑完回來再告訴我!」於是我便孤身隻影在黃昏的學校籃球場上,一圈接一圈地跑,跑完了回到羽毛球場,教練問:「剛剛跑了幾多個圈?」我答:「十五個!」教練笑了,那是很開心很安慰的笑容。關於羽毛球的趣事還有很多,例如我把容祖兒的《心淡》改了歌詞,變成校隊隊歌《食波餅》:「球場剩下時間有幾秒,切勿在球場說殺得妙……」還有男隊隊長「朱仔包」、「維他奶」在練習期間種種惹笑言行、何倩而常常在練習後請我食思樂冰……述不勝述,而我都一一記得,埋藏在心底�堙C

多得「小明」去年在球場上「拾起」失意的我,把我帶去「維港」球會,跟李sir學波練波,認識了更多喜歡羽毛球的人。回首過去後,接下來便是要面向未來,積極奮進,別再讓同一個遺憾發生第二次了。

相信無人能想像,任何自稱喜歡羽毛球的人,竟說不出羽毛球之為物。我在小學時期會接觸起運動來,最初是因為覺得羽毛球輕飄飄的,就算食了波餅也不覺痛,我太怕食波餅,並且食得太多了(足球,籃球,排球,場內場外都會忽然經歷),然後便漸漸真的喜歡它,認真學起來。而現在,羽毛球對於我又是什麼呢?我不禁詞窮,只能旁敲側擊地答道,它不只是一種以消脂為目的的運動,它更教會了我一些心態:何時收、何時放,諸與此類。它所重視的技術性,變化多端,恰如小明所說,如此技術型的運動,其他球類運動真罕有其匹。失意時,彷彿能聽見它說「予無求」,予欲無求,真是一禪境呢。



amiuling
暱稱: miuling
性別: 女
國家: 香港
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